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¡UN AÑO EN EL RINCÓN!

At once, in The Oxford Book of Latin American Essays, Ilan Stavans has broken down that silence dramatically with an album that is as vast, as assort, and as fascinating as the region it represents. While retaining much of the flavor of Latin American fiction-the dazzling metaphors, richness of language, after that sheer imaginative bravado-these essays give us the more intellectual, critical, and self-reflexive side of the dreaming mind so as to has so thoroughly entranced the bookish world. Of course, the political struggles that have afflicted the region designed for centuries-the endemic dictatorships resembling tropical fevers, as Augusto Roa Bastos calls them-exert a constant pressure on the character gathered here. Indeed, it is the attempt to understand the effects of history and politics on personal, artistic, and literary identities that makes these essays so compelling. Enrique Anderson Imbert asserts that the history of the essay does not show us a limbo of indecisive people or apprentices, but an emphatic assembly of spirits who felt confident, ingenious, and alert. Do We Know Them? Do We Know Each Other?

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